Season 2 · Episode 16
Tybo Audio Studio Jesus - Expert Studio and Production Specialist
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- 0:00I would like to introduce Mr. Tybo.
- 0:02And I'm not talking about the workout,
- 0:03the cardio workout with Billy Banks.
- 0:05I'm not talking about Tybo, Nevada.
- 0:07I'm not talking about a typo.
- 0:09I'm talking about Tybo, audio.
- 0:12Everything around me was just like chaotic.
- 0:14And I was like, man, I gotta be the person
- 0:16to make that change, make that difference.
- 0:18So one day when I was 16 years old,
- 0:19I walked to this college I'd never been to.
- 0:21And I just told him, I said,
- 0:22I wanna go to school here.
- 0:23Yeah, that was the day my life changed.
- 0:25I know there's a change
- 0:26because you're a testimony to that.
- 0:28It took a lot of pressure.
- 0:29A lot of darkness, the type of environment
- 0:32it takes to make a diamond.
- 0:33It's not a pretty environment.
- 0:36So ever since I touched down in Atlanta,
- 0:37I've been like, yo, let me prove my worth
- 0:40and I know you'll pay me.
- 0:41Cause I've been doing it like that since I was 17.
- 0:43I show up at any studio, fix everything.
- 0:46I was like, bro, I just made $500 in two hours.
- 0:49And I'm like 17, 18 at the time.
- 0:51But you said all of your clients are like your mentors.
- 0:54Majority of my clients are my mentors actually.
- 0:56Just because you love something,
- 0:58love learning about something,
- 0:59it doesn't mean you need to turn it into a career.
- 1:02Welcome, welcome, welcome
- 1:04to Alienize Photos Industry Talk
- 1:07with your host photographer Jackson,
- 1:10Steve Jackson of Alienize Photos Media.
- 1:14And to my right, I have a special, special guest,
- 1:17a production specialist.
- 1:20And yeah, look at the studio.
- 1:22Creator Clubhouse here in Atlanta, Georgia,
- 1:25fresh off the podcast summit, 26, or 26.
- 1:31And I would like to introduce Mr. Tybo.
- 1:34And I'm not talking about the workout,
- 1:35the cardio workout with Billy Banks.
- 1:37I'm not talking about Tybo, Nevada.
- 1:39I'm not talking about a typo.
- 1:41I'm talking about Tybo audio.
- 1:44How you doing, my brother?
- 1:45I'm feeling good, brother.
- 1:46I'm blessed to be here.
- 1:47I'm surprised you know about Tybo, Nevada.
- 1:49Nobody knows about that.
- 1:50You did your research.
- 1:51I did my research.
- 1:52Yes, sir.
- 1:53So I did a little brief introduction,
- 1:56but nobody could do it better than yourself.
- 1:58Introduce yourself to the people.
- 2:00Yeah, no, my name is Tybo.
- 2:01I set up studios for entrepreneurs and creators,
- 2:04and I specialize in audio, lighting, and video.
- 2:08I would say which one is your favorite?
- 2:10Probably audio, because that's where I started off.
- 2:13I have a deep love for music.
- 2:16Yeah, so probably audio.
- 2:17Okay, so you say you have a deep love for music
- 2:20that you use to do music, produce,
- 2:22or more like an artist.
- 2:23I've done every aspect of audio
- 2:25as far as like I've been a rapper,
- 2:27I've been a producer, I've made beats,
- 2:29I've played piano, I've taken vocal lessons,
- 2:32I've been on tours, I've mixed and mastered.
- 2:35Anything you can think of as far as audio,
- 2:37I've gotten paid a lot of money
- 2:38to do it at some point, so yeah.
- 2:40Okay, so you say you've been a performing artist,
- 2:44recording artist.
- 2:45Where can we find some of this music?
- 2:47You can look up Tybo audio on all platforms.
- 2:49You're gonna see all of my older music.
- 2:50I haven't released music in like six or seven years,
- 2:52but yeah, I did like 55 songs.
- 2:54I dropped like five different projects,
- 2:56all produced by me, all written,
- 2:59recorded, everything done by me.
- 3:01That is amazing.
- 3:01I used to be a recording artist myself.
- 3:03That's actually how I got into production
- 3:05and being a photographer.
- 3:08I would get off stage, perform in our host
- 3:10and record other artists on my iPhone.
- 3:12I'm like, let me invest in the camera.
- 3:14So when I did that,
- 3:15I started studying and practicing,
- 3:17studying and practicing,
- 3:19then kind of left the music scene.
- 3:20Music and poetry, can't forget the poetry
- 3:23and just never look back.
- 3:26Here now, I'm in front of the camera,
- 3:29but I'm usually behind the camera.
- 3:31It's good to have that balance.
- 3:33Oh yeah.
- 3:35So who's your favorite artist?
- 3:37Favorite artist of all time had to be Stevie Wonder.
- 3:40If I had to choose like rap music,
- 3:42like my favorite rapper,
- 3:43I had to go Kendrick Lamar.
- 3:45But yeah, and then favorite band.
- 3:48I always tell people it's a hard choice
- 3:50between either Earth, Wind and Fire
- 3:51or a band called Steely Dan.
- 3:53They both are like the top bands for me.
- 3:58I love Earth, Wind and Fire.
- 4:01And then to repeat,
- 4:02I like Michael Jackson and Tupac.
- 4:05I say since my name is Steve Jackson
- 4:08and I say Michael Jackson is my uncle
- 4:12and then Tupac is my father.
- 4:16So even jumping back to the early days,
- 4:19I know let's see your presentation yesterday.
- 4:22You say you dropped out of school in middle school,
- 4:26like sixth grade.
- 4:27Yeah, sixth grade was my last official grade
- 4:29in like public school.
- 4:30And then I did like four or five years, no school.
- 4:33I was just in the streets,
- 4:34kind of roaming around doing my own thing.
- 4:35And then finally at 16,
- 4:37I decided to get my GED and go to college.
- 4:39And I ended up being in this scholarship program
- 4:43that paid for my college education from 16 to 21.
- 4:46I took as many classes as I could.
- 4:47I learned as many things as I could in that time
- 4:50and got two degrees and been doing this ever since.
- 4:53So going back to that sixth grade,
- 4:55what made you drop out?
- 4:56What happened around that time?
- 4:57So I was going through a lot of family stuff.
- 4:59My dad went to prison when I was 10 years old.
- 5:01And by the time he was released,
- 5:03he was super institutionalized.
- 5:05And my mom was dealing with homelessness
- 5:07and drug addiction and all of these things.
- 5:09So just my family life was just chaotic at that time.
- 5:13So school just wasn't in the picture for me.
- 5:15Oh wow.
- 5:16And then what influenced you to go back to school?
- 5:19Seeing the people around me,
- 5:20like the situations I was in,
- 5:21I'd lost a couple friends and my dad in and out of jail,
- 5:24my brother in and out of jail,
- 5:26like just everything around me was just like chaotic.
- 5:28And I was like, man, I gotta be the person
- 5:30to make that change, make that difference.
- 5:32So one day when I was 16 years old,
- 5:33I decided to just,
- 5:35literally I was sitting in this house
- 5:36and I turned this TV off.
- 5:37I was just sitting there watching TV.
- 5:39I turned it off and I was like,
- 5:41yo, this is the day.
- 5:42And I walked to this college and never been to.
- 5:44And I just told him, I said,
- 5:45I wanna go to school here.
- 5:46And the funny thing is like I was in the wrong building.
- 5:48I was in like the sports building there.
- 5:49Like you need to go to administration
- 5:51and sign up and do all this.
- 5:53But yeah, that was the day my life changed.
- 5:55I love that for you.
- 5:56And I know so many countless people
- 5:59going through it, especially young ones,
- 6:01lost their parents or just struggling
- 6:03to figure a way out,
- 6:04just being in the streets,
- 6:06hanging around the same people.
- 6:08I know there's a change
- 6:09because you're a testimony to that.
- 6:12Is there a message you can share
- 6:14for a younger person
- 6:15that's going through something similar?
- 6:17Yeah, I say pressure makes diamonds.
- 6:19So you guys see this finished product here,
- 6:23but it took a lot of pressure,
- 6:25a lot of darkness.
- 6:26The type of environment it takes to make a diamond,
- 6:29it's not a pretty environment.
- 6:32But then when you get that diamond shining,
- 6:34it's bright, so it's worth it in the end.
- 6:37So just don't give up.
- 6:38Don't give up.
- 6:39I'm a firm believer in that.
- 6:41Take breaks, take pauses, but don't give up.
- 6:45Never, never stop.
- 6:46I love that.
- 6:47And we're sitting in one of the studios
- 6:49you built or helped build, create.
- 6:51What was the process behind it
- 6:54and how long did it take?
- 6:55So I met Dave two years ago at a mastermind.
- 6:58It was one of his masterminds.
- 6:59Dave does these masterminds,
- 7:00I want to say maybe like once or twice a year.
- 7:02He gets all the biggest podcasters,
- 7:04biggest entertainers in Atlanta all in one space.
- 7:08And we just politic, we connect,
- 7:10we share thoughts and ideas.
- 7:12But I got invited to one of these masterminds.
- 7:14I never heard of David Chan's before,
- 7:16never seen the Social Proof podcast.
- 7:18But somebody invited me to this mastermind
- 7:20and I walked in, it was this big old mansion
- 7:22actually owned by one of my clients, Neo.
- 7:24Shout out, Neo.
- 7:24Shout out, Neo.
- 7:26So I walked in and there was a bunch of people
- 7:28that I already worked with
- 7:29and I didn't know it was David Chan's event,
- 7:31but essentially two of my clients stood up
- 7:33and they're like, yo, everybody in this room
- 7:35needs to connect with this guy, Tybo.
- 7:36He's the dopest producer.
- 7:38He's the dopest engineer.
- 7:39You guys gotta get with this guy.
- 7:41And so David took notice.
- 7:42He was like, wait a minute,
- 7:43I've never even seen that dude.
- 7:44And he's at my mastermind.
- 7:46So he walked up to me.
- 7:47He's like, hey bro, just want to introduce myself.
- 7:49He's like, you gotta come by my studio.
- 7:51And I was like, bet I'll come by whenever.
- 7:53He's like, can you stop by tomorrow?
- 7:55And I was like, yep, let's do it.
- 7:56So I came here the next day, it was like 10 a.m.
- 8:00And I walked in and I'd just seen everything
- 8:02and I was like, you guys can make
- 8:04some crazy upgrades to this space
- 8:06because you guys already have,
- 8:08they had this room built out.
- 8:09They had the back room,
- 8:10but it just wasn't really cohesive.
- 8:13Everything wasn't optimized.
- 8:15So I pulled David to the side and said,
- 8:17yo, let me get you right.
- 8:19Let me fully utilize this building
- 8:22to its fullest potential.
- 8:24So he was like, all right,
- 8:26well, how much are you gonna cost?
- 8:27And I was like, this stuff ain't cheap.
- 8:30So he already spent thousands of dollars
- 8:32in this building.
- 8:32So he was like, all right.
- 8:34So I told him, I was like, yo, let's do this.
- 8:36Let's do that.
- 8:36So now all of the rooms are connected.
- 8:38You can live stream.
- 8:39You can sit in this room and do an interview
- 8:41and everybody can see you in the event room.
- 8:44And you can use this room as a green room now
- 8:46because we used to do events,
- 8:47but people always had to be in there to watch.
- 8:49Now you can sit in here and watch the event from here.
- 8:52So turning this place to like
- 8:53a full fledged production house,
- 8:55like that was my goal.
- 8:56So, and now we here.
- 8:58Yeah, it is.
- 8:58I've been here a few days this week
- 9:00and I'm like amazed.
- 9:02So just to see it, I'm like, wow.
- 9:04And the creator behind it, it's amazing.
- 9:07Yeah, thank you, bro.
- 9:07So what about this panel wall?
- 9:09Like how long did it take to build?
- 9:11Like what's behind the wall?
- 9:13So this was actually drywall a couple months ago.
- 9:16There's a guy, Walls of Georgia.
- 9:18I might be saying it wrong,
- 9:19but we can try to find it, put it on the screen.
- 9:20I think Dave Shans did mention him too.
- 9:22Yeah, so I think it's Walls of Georgia.
- 9:23He did the one in the office.
- 9:25He did another wall, but he did this one.
- 9:28I'm not gonna lie.
- 9:29I'm not a big fan of visible light on camera
- 9:33because some of the things I talk about,
- 9:35like luminance values,
- 9:36sometimes when you have the brightest thing on screen,
- 9:38people's eyes automatically go towards it.
- 9:40So me personally, I don't like to put a lot
- 9:43of visible lights in the background of my shots, but.
- 9:45Can we turn the lights down a little?
- 9:46No, no, no.
- 9:47You're good, no, you're good.
- 9:49But what I will say is the wow factor.
- 9:51Anytime somebody comes in this room,
- 9:53they're immediately wowed.
- 9:54So it's like this trade-off of like.
- 9:57I think it's the colors, the, you know, the.
- 9:59Yeah, yeah, yeah, yeah.
- 10:00But honestly, the look in here when you post it,
- 10:03it looks good.
- 10:04So like. It does.
- 10:05Yeah, you can't deny that.
- 10:06Yeah, that is, that is true.
- 10:08Okay, okay.
- 10:09So for someone that's just starting out
- 10:11that doesn't have a big budget
- 10:13and is still using an iPhone,
- 10:15what are some things you would recommend for them?
- 10:18Study photography, study composition,
- 10:21study the rule of thirds,
- 10:22some of the stuff that we went over.
- 10:23Like honestly, all of those things
- 10:25translate right over to a iPhone
- 10:28or a professional camera.
- 10:29And if you take those same types of just like frameworks,
- 10:33you can transfer them to any camera.
- 10:35I can put, I can take a Canon, Sony,
- 10:39Blackmagic, whatever,
- 10:40and I can apply those same principles
- 10:41and it still won't look professional,
- 10:43it's gonna still look cinematic.
- 10:45So just study, you know, exposure, you know,
- 10:48lighting, all of those things,
- 10:49and you can make an iPhone look incredible.
- 10:52Yeah, I've definitely done it too.
- 10:56I shot a podcast, three iPhones for someone
- 10:58that didn't have the budget,
- 10:59but they had multiple iPhones.
- 11:01I'm like, oh, just use this.
- 11:03So what were some of the first tools
- 11:05and equipment you had starting out?
- 11:07Microphone, I bought my first microphone super young
- 11:10and I forget what it was.
- 11:13I want to say it was a Shure or something,
- 11:14but it was like one of the condenser microphones.
- 11:16So I always, I started off with audio.
- 11:18First light I bought must have been a Godox,
- 11:21one of those little Amazon Godox lights.
- 11:24And then video, my first camera was a Sony,
- 11:26like a 6100, it didn't even do video.
- 11:30Or like you could record a video and it was like 30,
- 11:32so it was like really bad for video,
- 11:34but it was good for photos.
- 11:35So those were like the kind of the three first tools
- 11:38I ever invested in.
- 11:40Okay, what about some of the tools you use
- 11:42or that you love right now?
- 11:44We use a lot of FX 30s.
- 11:46I'm a Sony shooter.
- 11:47Ever since I bought my first Sony,
- 11:49you know, I've been Sony gang,
- 11:50but I use a lot of black magics.
- 11:52I love Nikon.
- 11:54Honestly, it's more about the lens and the lighting
- 11:56for me, like the camera body,
- 11:57I can switch that out and most people,
- 11:59nine out of 10 people wouldn't even be able to recognize
- 12:01like, oh, this is a Nikon versus a Sony
- 12:03versus a black magic.
- 12:04It's cause the lighting and the lens is really pristine.
- 12:08I love that, I love that.
- 12:08I know people get caught up in the names
- 12:11and all that, it's just a tool.
- 12:13Absolutely.
- 12:13I mean, same with AI, like chat GBT,
- 12:16Gemini, Claude, it's just a tool.
- 12:19Whoa, whoa, whoa, now they,
- 12:20those aren't all the same now.
- 12:22Like those, I use them all differently.
- 12:24Like I got Claude, I got-
- 12:26Break it down.
- 12:27Yeah, we don't want to go too deep in AI,
- 12:28but like Gemini, I feel like I'd use Gemini
- 12:30just for like photos, the nano banana,
- 12:32like, and the thing is like,
- 12:34I think of Google as an infrastructure
- 12:35that's been around for so long
- 12:37that they have Google search engine.
- 12:40They have things that chat GBT or open AI
- 12:43just doesn't have access to,
- 12:45versus, you know, Claude, their research tools.
- 12:47Like each one of them has a very specific,
- 12:50like strong set and I feel like utilizing each one.
- 12:54But yeah, they're all the tool at the end of the day.
- 12:56That's right, that's right.
- 12:58And I mean, to go even deeper,
- 13:00I know Google has some, you know,
- 13:02investments in Claude and Tropic.
- 13:06Yep.
- 13:06But even talking about AI,
- 13:08where do you see the future of it for like production
- 13:12and recording and just the whole industry
- 13:16like five years from now?
- 13:17I'm actually AI, this is,
- 13:19I'm an AI person right now.
- 13:21No, I'm kidding.
- 13:22No, the future for AI is going to be like,
- 13:24it's like the internet.
- 13:25I tell people like,
- 13:26people were back in the day were looking at phone books
- 13:30and being like, oh, you know,
- 13:32I can put my stuff in the phone book
- 13:33and then the internet came out
- 13:34and then phone books got wiped away.
- 13:37So I feel like AI is almost like the new internet.
- 13:40You know what I mean?
- 13:41Like I like that.
- 13:42So yeah, you got to utilize AI.
- 13:44I feel like all of these big platforms,
- 13:46you know, Facebook, Instagram,
- 13:48like they're all integrating AI.
- 13:50So it's like, why aren't you integrating AI
- 13:52into some sort of workflow for you?
- 13:54I don't use like voice, I don't use video,
- 13:57I don't use anything like that for my content,
- 13:59but on the back end of stuff,
- 14:01I'm using ideas, scripting, all of that stuff.
- 14:04Okay, okay.
- 14:05For people that want to shy away from AI,
- 14:08mostly like the older generation,
- 14:09is there words that you would love to say to them?
- 14:12Just adopt it slowly.
- 14:13I mean, it's one of those tools
- 14:15where you can't really avoid it.
- 14:17Like I said, like if you have a phone,
- 14:19if you have a computer,
- 14:19all of the companies are starting to utilize AI.
- 14:23So it's like, I think subconsciously,
- 14:25you might be like, oh, I don't want to use AI,
- 14:27but it's like, you kind of are low key.
- 14:29Like if you use iPhone
- 14:30or if you use like any of these platforms.
- 14:33So I feel like it's kind of inevitable.
- 14:35It's almost like trying not to use electricity.
- 14:38You know what I mean?
- 14:38It's like, at some point,
- 14:39you're going to use some electricity.
- 14:41Speaking about electricity,
- 14:42I know they say it's consuming the water.
- 14:46I know people get like big on that.
- 14:49Like it's affecting the water system,
- 14:51inspecting this, inspecting that,
- 14:52all the towers, this and this and that.
- 14:54Yeah, there's a lot of misinformation.
- 14:55One dude, I think his name is Todd Hanks.
- 14:58I may be getting his name wrong,
- 15:00but he's a big YouTuber and he's done,
- 15:03he was on the science channel and he's done a lot.
- 15:06He's a white guy with glasses,
- 15:08but he did a very good breakdown
- 15:09of water consumption, electricity consumption.
- 15:12And one thing he pointed out
- 15:14is that corn fields actually are like 10 times
- 15:17or a hundred times worse
- 15:20than AI built for water consumption and electricity.
- 15:23And then the thing is what's crazy is he pointed out
- 15:26is we're using like 10 times as much water for corn.
- 15:31And then what we do is we turn around and just burn it.
- 15:34So it's like, if we really wanted to like
- 15:37crack down on the environment
- 15:38and actually make some differences,
- 15:39we would go to some of these big old corn fields
- 15:41versus like these AI data centers.
- 15:43And I'm not saying these AI data centers aren't bad,
- 15:45but I'm saying there are other things
- 15:48that are way bigger in proportion
- 15:50that are ruining the planet and water
- 15:52and all of this stuff.
- 15:54So I feel like we need people like him
- 15:55who are pointing this out and being like,
- 15:57don't fall for the propaganda
- 15:58and don't fall for like the click-baity kind of stuff
- 16:00and actually trust somebody
- 16:01who knows what they're talking about.
- 16:03Yeah, so even speaking about corn,
- 16:05I know it doesn't break down in your body very well
- 16:08and I think you're vegan, right?
- 16:10Yeah, I'm vegan.
- 16:11So is corn a vegetable that you should consume?
- 16:15It's mainly the cellulose,
- 16:17I think is, you can't break it down.
- 16:19But the thing is like the inner parts of a corn,
- 16:22like it still has starch, it still has carbohydrates.
- 16:25So it's one of those trade-offs.
- 16:26Like if you have pre-existing health conditions,
- 16:29corn may not be good for you.
- 16:31Like if you have digestive issues
- 16:32like that cellulose and that fiber,
- 16:34it might cause some issues.
- 16:36But if you have a healthy digestive system,
- 16:38piece of corn, corn on the cob, cornbread,
- 16:40that ain't gonna mess you up.
- 16:42And it's about that time of the year
- 16:44to start eating that stuff, huh?
- 16:45It's 4th of July, bro, we gonna cook out tonight.
- 16:49Independence Day.
- 16:51So even talking about like health, health is wealth.
- 16:54When was that transition to like
- 16:56when you wanted to start a business
- 16:58and start making money?
- 16:59When was that time period?
- 17:00I've always been a hustler,
- 17:02always like my mom told me this story.
- 17:04She was like, yeah, when you were 10 years old,
- 17:06you were in the front yard
- 17:07and you had all your toys lined up.
- 17:09And I came outside and I was like,
- 17:10why are you putting your toys in the lawn like this?
- 17:13And she was like,
- 17:14you said you were gonna do a yard sale
- 17:15and sell all your toys
- 17:16because you wanted to make money.
- 17:18I love that.
- 17:19But my dad was an entrepreneur.
- 17:20My dad had three jobs.
- 17:22He detailed boats for rich white men.
- 17:25He drove a taxi on the side
- 17:26and he was doing some stuff on,
- 17:28making some extra money.
- 17:30So he was always a hustler.
- 17:31So I always watched my dad be an entrepreneur.
- 17:34He always, he actually taught me math
- 17:35at a very young age,
- 17:36like two or three years old by counting money.
- 17:38So like, I think that that was like the early stages
- 17:40of me just being a entrepreneur, a hustler.
- 17:43I used to go to school and I'd buy a box of candy bars
- 17:45and try to sell them, you know, cans of soda, whatever.
- 17:48Like any way I could make money.
- 17:50Like I remember when I was like 14,
- 17:52there was a big festival.
- 17:53We ended up taking Kool-Aid,
- 17:56filling them up with Kool-Aid
- 17:57and taking like a splash of alcohol
- 17:59and putting it in the water bottle
- 18:00and selling them for $5 each.
- 18:02That was the first time I ever made like,
- 18:06like a good chunk of money.
- 18:07I remember I spent $100 on like the alcohol,
- 18:11the Kool-Aid, the bottles, everything.
- 18:13And I made like $800.
- 18:14Wow.
- 18:15And I was like, wait a minute, I just took $100
- 18:19and I went outside for a day and I made like 800.
- 18:22I was like, I made 700.
- 18:23That was like the moment.
- 18:25I was like, yes, I love this feeling.
- 18:27I need to do this.
- 18:29So I did that, you know, legal stuff.
- 18:31But then by the time I was 16, 17,
- 18:33got into college, people were like,
- 18:35yo, you can get paid to do this stuff.
- 18:36And that was the moment.
- 18:37I was like, bet.
- 18:38So I remember my first corporate job,
- 18:40showed up at like 7 a.m.
- 18:42I set up some microphones,
- 18:43left by nine o'clock, $500.
- 18:46I was like, bro, I just made $500 in two hours.
- 18:48And I'm like 17, 18 at the time.
- 18:51People around me is not making that kind of money.
- 18:53And I was just like, bro, this is it.
- 18:56So I like just hit the ground running, always like,
- 18:58yo, you need this, you need that.
- 19:00And for me, what it taught me is
- 19:02provide as much value and the pay will come.
- 19:05And a lot of people do it backwards,
- 19:07especially in Atlanta.
- 19:07Like I've met a lot of people, they're like,
- 19:09yeah, pay me first and then I'll give you the value.
- 19:12Ever since I touched down in Atlanta,
- 19:13I've been like, yo, let me prove my worth
- 19:16and I know you'll pay me.
- 19:17Because I've been doing it like that since I was 17.
- 19:19I show up at any studio, fix everything.
- 19:23They didn't even ask.
- 19:23And they'd be like, bro, what the heck?
- 19:25Like this dude came in and like,
- 19:27we had this problem, this problem.
- 19:28He literally fixed it.
- 19:30My engineers who've been on payroll for a whole year
- 19:32didn't even fix this.
- 19:33This dude didn't even charge me anything, he fixed it.
- 19:36So having that kind of work ethic,
- 19:38I feel like that's what takes you further
- 19:40in this industry.
- 19:43Yeah, I had a similar story.
- 19:45When I was young, maybe like four or five,
- 19:48used to have like the penny rappers.
- 19:51So I just had a whole pile of pennies
- 19:53for them, the rappers.
- 19:53My mother's like, oh, you could do that.
- 19:56You're like a bank teller.
- 19:57You count the pennies and this and that.
- 19:59Ended up getting the machine.
- 20:00So that was my early days.
- 20:02I'm like, hmm, I just love money.
- 20:04Or counting money, like counting money, counting money.
- 20:06But I didn't know entrepreneurship until I got older.
- 20:10And I'd always been a writer, writer first
- 20:12and start writing music, start writing poetry.
- 20:15And it all just turned to where I am today.
- 20:18That's fire.
- 20:19And then you said when you touched down to Atlanta,
- 20:21where were you before?
- 20:23I'm from Seattle, Washington.
- 20:24So I was pretty much raised in Seattle, Washington.
- 20:27I was born in Texas, strange enough,
- 20:29but I didn't spend any time there.
- 20:31So yeah, raised in Seattle, Washington.
- 20:33And then during 2021, during the pandemic,
- 20:35all of the studios and all the productions in Seattle
- 20:37I was working, they pretty much shut down.
- 20:40Thankfully, one of the studios I worked at
- 20:41gave me unemployment.
- 20:42So I was making good money in the pandemic.
- 20:45When I was thinking about it,
- 20:46I was like, where should I move to?
- 20:47Where should I go to start from ground,
- 20:50just start from fresh?
- 20:51I was like, Atlanta is the spot.
- 20:54And yeah, I've moved here.
- 20:56And I had this thing in my mind.
- 20:57I was like, if I can't find work with,
- 20:59because I wanted to work with entrepreneurs, rappers.
- 21:02I wanted to do all the big stuff, right?
- 21:04If I can't do any of that,
- 21:06nobody wants to pay me for that,
- 21:07my backup plan is to work at a church.
- 21:11Because churches will always need somebody
- 21:13who has good audio skills, good lighting skills,
- 21:15good video skills.
- 21:16I was like, I will find at least one church
- 21:18who will hire me and pay me.
- 21:20So that was like my backup plan.
- 21:21I was like, if I can't find anything,
- 21:23I was like, I'm just gonna walk to each church
- 21:25and be like, yo, I'm an audio engineer,
- 21:26I'm lighting, let me help you, let me work.
- 21:29And funny enough, within a week of landing here,
- 21:32somebody called me and they're like,
- 21:33yo, we need a lighting guy.
- 21:35It's church.
- 21:36I said, bet, let me do it.
- 21:37I don't care how much, I'll be there.
- 21:38I ended up working with Darius Daniels
- 21:40with Change Church.
- 21:41I don't know if you're familiar with them,
- 21:42but they're one of the largest churches.
- 21:44You think of mega churches,
- 21:46Change Church is one of those.
- 21:48So yeah, that was a blessing in disguise
- 21:50because I got to meet so many people
- 21:52through that church.
- 21:54And honestly, I think that that was
- 21:55the first connection that I made
- 21:57where it was meeting all these people
- 21:59and then they realized I did audio
- 22:00and then they realized I did camera
- 22:02and then they were just fully utilizing everything
- 22:04and then I met a bunch of people
- 22:05and yeah, hit the ground running.
- 22:08Wow.
- 22:09And did you just go by faith
- 22:12or did you do detailed research
- 22:13from Atlanta before coming?
- 22:15I had a cousin here and I had visited in 2019
- 22:18for maybe two weeks,
- 22:20but it wasn't like,
- 22:21I never had idea of moving out here.
- 22:23I just came out here to visit him
- 22:25because I wanted to go on vacation
- 22:27and he took me around and he's a photographer
- 22:30so he took me to some clubs,
- 22:31he showed me around and I was just so impressed
- 22:33by how many black people were here,
- 22:35how many successful black people were,
- 22:37I was just like, yeah.
- 22:38And I think if that planted a seed,
- 22:40because this is 2019,
- 22:42I did a podcast six or seven months later
- 22:44with my boss at one of the studios in Seattle
- 22:46and he goes, where do you see yourself
- 22:47in two to three years?
- 22:49And I was like, honestly,
- 22:50I kind of want to move to Atlanta.
- 22:52And he goes, I lived in Atlanta
- 22:53and I was in the tech industry there.
- 22:54He's like, what do you feel like
- 22:55you can contribute to the tech world down there?
- 22:59And I was like, honestly,
- 23:01I feel like my understanding of all this stuff
- 23:03is just so deep that I was like,
- 23:05I feel like they need somebody
- 23:07who really is deep in the rabbit hole
- 23:10and can understand this stuff.
- 23:12Because here's the thing,
- 23:12I meet photographers and videographers
- 23:14who are really dope.
- 23:16They know how to get the dopest shot
- 23:17and literally they'll shoot you
- 23:19the most cinematic stuff,
- 23:20but it's like, I start asking about
- 23:23the little shutters, just little details
- 23:26and they're like, yeah, I know what it means
- 23:28but they don't really know it, know it.
- 23:31And I'm like, dang.
- 23:31So what do you mean know it, know it?
- 23:33Because I know shutter speed.
- 23:34Well, not like shutter, even color science,
- 23:36going into frame rate.
- 23:39There's just little production things,
- 23:4232-bit float and matching the kilohertz
- 23:45and Nyquist frequencies.
- 23:48I've never heard of Nyquist, what's that?
- 23:50It's just all of these little things
- 23:52where it's like, okay,
- 23:53I've been deep in the rabbit hole,
- 23:55the manuals, so I know how to apply this
- 23:57to production.
- 24:00This is ultimately why I ended up in the podcast space
- 24:02is because being a videographer,
- 24:05you're really good with the camera
- 24:07and framing all of that,
- 24:08but that doesn't mean you know about
- 24:11syncing cameras and multi-camera angles.
- 24:14That's a whole other world.
- 24:16So just being a videographer doesn't mean
- 24:19you have all of the production skills.
- 24:22Oh, the audio and making sure this audio cable
- 24:24doesn't cross any power cables
- 24:26because that's how you introduce interference.
- 24:28So it's like, I wanted to cohesively wrap everything
- 24:31and be like, no, this is how you need
- 24:34to look at everything.
- 24:36So I pretty much said that on a podcast 2019
- 24:38with my boss and pretty much manifested all of that.
- 24:41I told him, I was like, yeah,
- 24:42I just want to go out there.
- 24:43I want to work with all the big people
- 24:44and blah, blah, blah.
- 24:45So then now we're here.
- 24:46Wow.
- 24:47So what was the biggest production?
- 24:5020, 30 cameras, microphones,
- 24:53what was the biggest production, something like that?
- 24:55I mean, any arena we've worked in,
- 24:57I mean, we did some stuff at State Farm.
- 24:59We've done stuff at the Coca-Cola Roxy.
- 25:02We've done stuff like any venue,
- 25:04like big venue, we've done stuff
- 25:06like back home in Seattle.
- 25:08There's a couple of venues downtown
- 25:10we've sold out, done shows.
- 25:12So any of those, yeah,
- 25:14it's like more than a thousand people.
- 25:15Like even the podcast summit,
- 25:17you was there like those are big.
- 25:20Yes, I did two of those with David Shams
- 25:21before I was ever on stage.
- 25:22So I was backstage running the production
- 25:24for last year and the year before that.
- 25:27Yeah, I was there last year.
- 25:28I was a tenny this year.
- 25:29I'm a vendor.
- 25:30So it was definitely a great experience.
- 25:33And how long does it usually take to set up?
- 25:35I know it's like sometimes days before
- 25:38people that don't see the work,
- 25:39how long does it usually take?
- 25:41For the bigger ones, yeah, it's just a whole day.
- 25:43Like we'll show up 7 a.m. the day before
- 25:45and we don't leave until like 7 p.m.
- 25:48And then we'll show up back again.
- 25:50Like it depends on what time you start.
- 25:51It's like a 10 a.m., 9 a.m. start.
- 25:52Yeah, you got to show up the day before,
- 25:55get everything prepped.
- 25:56But if it's like a noon,
- 25:57you could show up sometimes like 7 a.m.,
- 25:59get it all done four or five hours.
- 26:00It just depends what it is.
- 26:02Okay, so for people that's new to business,
- 26:05they usually, you know, bill up front
- 26:07for the time that they're on set or on location.
- 26:13Is that something that they should be factoring in
- 26:17like that pre-time to set up,
- 26:18that pre-production and also the time to set up?
- 26:21It depends on what role you're in, right?
- 26:23Because if you're just like a stagehand
- 26:25or somebody who like, yeah,
- 26:26hourly would probably be the better route.
- 26:28So you can, you know, because if you stay over,
- 26:30then you know, you want to get paid for that time over.
- 26:33But honestly, for the people who like
- 26:35are more in the production role and overseeing stuff,
- 26:37I mean, it's usually just a flat rate.
- 26:39So that's what I typically owe
- 26:41is a day rate or just a project rate.
- 26:43It's definitely good to know for my,
- 26:45people that are starting out,
- 26:46I know a lot of beginner photographers and videographers,
- 26:50people that want to be in production
- 26:52and even a podcast production.
- 26:56You know, I hear it all the time and I'm,
- 26:58what I tell them is, you know,
- 27:01charge with your worth, charge for your time
- 27:03and also the value provided.
- 27:06Now, you know, with that equation,
- 27:08they can figure out the numbers themselves,
- 27:09but that's kind of what I tell them.
- 27:11Absolutely.
- 27:12So do you have any like mentors
- 27:14that you, you know, work under or consult with?
- 27:18Yeah, no, absolutely.
- 27:19So David Shands, obviously a great mentor of mine.
- 27:23Nehemiah Davis.
- 27:24Honestly, all of my clients
- 27:26give me some form of mentorship.
- 27:28But you said all of your clients are like your mentors.
- 27:31Honestly, they are,
- 27:32because I've provided so much value to them
- 27:34that they are like, yo, we want to pay you
- 27:36and provide more value to you as a person.
- 27:39So I've been super blessed.
- 27:41Like even yesterday,
- 27:42I'm not sure if you met Ashley Kirkwood.
- 27:44She was the speaker way to cash.
- 27:46I was in the hot seat with Ashley yesterday.
- 27:48Yeah, so like even her,
- 27:50like she always blessed me with wisdom and knowledge.
- 27:53And like, I feel like all of the people that I'm around,
- 27:55they're just such great people.
- 27:56They just want to see me win.
- 27:58So they're like, yo, you should do this.
- 27:59You should try that.
- 28:00You should connect with this person.
- 28:01So like, honestly, I feel like
- 28:03a majority of my clients are my mentors, actually.
- 28:06But the biggest ones, I'd say David Shands,
- 28:08Neo, Nehemiah Davis, shout out him.
- 28:10And then I'm gonna say Katie Bo.
- 28:13He owns a studio called The Content Factory.
- 28:16That's like a person who's-
- 28:18Here in Atlanta.
- 28:19Yeah, he's here in Atlanta, but he's a really good guy.
- 28:21He's a voiceover.
- 28:22He did gospel radio for a long time.
- 28:24You've heard his voice all over the radio in Atlanta,
- 28:26but he's another great mentor.
- 28:28So those three dudes, shout out to them.
- 28:29They have completely transformed my life as a man.
- 28:33So yeah.
- 28:33I've never heard that answer before.
- 28:36Like my clients or like my mentors are my mentors.
- 28:40Like, wow, I've never heard that.
- 28:42That's amazing.
- 28:43I'm fortunate to work with some really dope people
- 28:45in Atlanta, so if I need tax advice,
- 28:48if I need business advice, I just worked with,
- 28:50I just connected with that trademark lawyer yesterday.
- 28:52Okay, yeah.
- 28:53And she's like, yeah, I work with all of your clients,
- 28:54so I'm gonna help you get your trademark.
- 28:56So it's like little things like that.
- 28:57It's like, she's gonna pay me to set up her studio,
- 29:00but then I also get trademark services.
- 29:03It's like, how blessed is that of an opportunity?
- 29:06Sounds like I need to make a move to Atlanta myself.
- 29:08Absolutely, I'm gonna see you here, brother.
- 29:10Okay, hey, I'm gonna be around.
- 29:12And even going back to like Washington.
- 29:15So Seattle, what would you say you left behind?
- 29:17Like what are the top three things
- 29:19you would say they're known for?
- 29:21The cloudiness and the raininess
- 29:22and just like the gloomy depression.
- 29:26Seattle is known for being just rainy
- 29:28and gray all the time.
- 29:29We get two months in the summer
- 29:31where it's really nice out.
- 29:32It'd be like 80 degrees, clear skies.
- 29:34And then from like September all the way back
- 29:37to like May, it's just rainy and gray.
- 29:39So like, I don't miss that.
- 29:41I went through a lot of seasonal affect disorder.
- 29:43Have you ever heard of that?
- 29:44No.
- 29:45So I did that on the presentation
- 29:46where I talked about,
- 29:46it's called seasonal affect disorders.
- 29:48It stands for SAD.
- 29:49But it's when you don't get enough vitamin D
- 29:52and you don't get enough sunlight,
- 29:53you actually can get depression
- 29:54because you're not getting the hormones
- 29:56and you're not,
- 29:57because like vitamin D is really important
- 29:59to all of your like vital organs
- 30:01and how your body's like hormone regulation,
- 30:03all of that.
- 30:04So I don't think I was up,
- 30:06in Seattle, I just wasn't getting outside enough.
- 30:08I wasn't getting enough sunlight.
- 30:09And yeah, it's just, it's sadness, depression.
- 30:11But as soon as I moved out here,
- 30:13got in the sun, this Atlanta heat, bro,
- 30:15all that stuff went away.
- 30:16I'm like, I'm outside now.
- 30:18So.
- 30:18Yeah, that's good.
- 30:19You look vibrant too.
- 30:20Exactly.
- 30:21So that's actually a good segue to my questions.
- 30:25I like to ask creatives,
- 30:27thinking about your creative process
- 30:29as a weather forecast,
- 30:31how would you explain that?
- 30:34Your creative process as a weather forecast?
- 30:37It's very much like
- 30:40Atlanta or Seattle.
- 30:41So like at one minute,
- 30:42it could be really clear out
- 30:43and then 10 minutes later,
- 30:45a great cloud rolls in.
- 30:46So it's like, it's almost like,
- 30:48you can't plan for something.
- 30:50Like you almost gotta just go with the flow
- 30:52and you gotta be prepared for things to shift and change.
- 30:57Sometimes like,
- 30:58I explain it almost like cooking, right?
- 31:00Like I have these ideas
- 31:02and I keep some of them on the main burner
- 31:06because I gotta like cook them
- 31:07and I gotta like stir fry,
- 31:08make sure that it's getting cooked.
- 31:11Other ideas,
- 31:11sometimes I push them to the back burner
- 31:13and I put the pot on and I let it simmer on low.
- 31:16So it's like,
- 31:17I got this ebook that I've been working on
- 31:19for like four months.
- 31:20I was going hard, going hard, going hard.
- 31:22And then I had to put a pause on that.
- 31:24I had to put it on the back burner
- 31:25because I had to do some other stuff,
- 31:26push it to the front.
- 31:27So it's like, that's how creatively I move is like,
- 31:30okay, what is priority?
- 31:31What needs to go on that main big eye on the stove
- 31:34where you like cooking up
- 31:35versus what can go in the back on the back burner
- 31:39and kind of just simmer.
- 31:41I mean, speaking about cooking up,
- 31:43what are some things you're gonna enjoy later on?
- 31:46I got reservations for a Filipino restaurant.
- 31:49I'm Filipino.
- 31:49So there's a Filipino restaurant down the street
- 31:52and me and my family like to go there.
- 31:54So treat my family to dinner tonight and yeah.
- 31:57Okay, okay.
- 31:59Definitely.
- 31:59What about your favorite dish?
- 32:01I'm Filipino.
- 32:02So anything with rice, honestly,
- 32:03curries, stir fries, anything rice based,
- 32:06I would tear it up.
- 32:08Okay, okay, okay, okay.
- 32:10So anybody else trying to get in, mentor, intern,
- 32:15have a talk, you do coffee?
- 32:17I do tea.
- 32:18Sometimes I do coffee, but yeah, a little bit.
- 32:21A little wink, wink if anybody want to know.
- 32:24Curry, stir fry with the rice and tea.
- 32:28So what's your favorite tea?
- 32:30I drink a tea called Puerh.
- 32:32It's P-U-E-R-H and it's a fermented tea.
- 32:36So a lot of people don't know this about tea,
- 32:38but all tea comes from one plant.
- 32:40One plant, okay.
- 32:41So if it doesn't come from this one plant,
- 32:44it technically isn't even a tea.
- 32:45And I think it's called a Camellia cemensis plant.
- 32:47That's where you get green tea, black tea, white tea,
- 32:50all of the teas come from this one plant.
- 32:52When you grow this one plant, Camellia cemensis,
- 32:55you can chop down the leaves
- 32:57and depending on what you do with those leaves,
- 32:59you can get green tea, you can get black tea,
- 33:01you can get oolong tea, you can get.
- 33:03But if it doesn't come from that plant,
- 33:04it's actually just herbal water.
- 33:08It's like herbal tea, but it's not even a tea really.
- 33:11You can't call it a tea.
- 33:12So like when you drink mint tea or any other tea,
- 33:15if it doesn't come from that plant,
- 33:16it's not really a tea.
- 33:17But since they take the Camellia cemensis plant,
- 33:21they chop it down, they dry the leaves,
- 33:24you can get green tea.
- 33:25If you roast it, you can get black tea.
- 33:27And then if you ferment it, you get puerh tea.
- 33:30And when you ferment, you get probiotics and prebiotics
- 33:33and that's where you get a lot of like the healthy
- 33:36microbiome, gut health kind of stuff.
- 33:38Like, I'm not sure if you ever took prebiotics
- 33:40or probiotics, but it's usually something fermented
- 33:42like kimchi, sauerkraut, any of those things
- 33:46because they have living organisms in it
- 33:48that will help feed the good bacteria in your body.
- 33:50Wow, you sound like a holistic medical doctor.
- 33:53You know what's funny enough is actually
- 33:54my whole first year of college was to become a doctor.
- 33:57I switched my major in college to become an engineer.
- 34:01Wow.
- 34:02So I love learning about health.
- 34:03I love talking about anything spiritual health,
- 34:06you know, all of that stuff.
- 34:08Okay, okay, okay.
- 34:09I love that.
- 34:10Because it's always needed going back
- 34:12to that health as well.
- 34:14And then what made you make that shift
- 34:16from studying to be a doctor into like audio?
- 34:20You know what's funny is I interviewed a black doctor.
- 34:22So they told me, they said,
- 34:24hey, if you want to become a doctor,
- 34:25you got to go find somebody who does
- 34:28what you want to do and interview them.
- 34:30And I said, bet.
- 34:31So I went online.
- 34:32I found this doctor,
- 34:34because I wanted to study naturopathic medicine.
- 34:38So I found this naturopathic doctor.
- 34:39He was this black dude.
- 34:41And I was like, bet.
- 34:42You look like me.
- 34:43You do what I want to do.
- 34:44I emailed him.
- 34:46I was like, yo, I want to do an interview for you.
- 34:47I'm studying to become a naturopathic doctor.
- 34:49He goes, responded right away.
- 34:50He's like, bet, let's do it.
- 34:52So we hop on Zoom and,
- 34:55or actually it was Skype at the time or something.
- 34:56So we hop on a video call and we're talking
- 34:59and he goes, do you actually want to wake up
- 35:02every day and work with sick people?
- 35:04And I had not ever thought of that.
- 35:07My whole entire first year of like,
- 35:09I want to become a doctor.
- 35:10I want to be telling all my counselors,
- 35:11everyone around me is like,
- 35:12yeah, he's going to become a doctor.
- 35:13He framed it in a way I was like, dang.
- 35:16One question, why?
- 35:17I was like, dang.
- 35:18I was like, I do not want to wake up
- 35:20every morning and work with sick people.
- 35:22And he goes, just because you love learning
- 35:25about something doesn't mean you need
- 35:26to turn it into a career.
- 35:27One more time, one more time, one more time.
- 35:30Just because you love something,
- 35:32love learning about something doesn't mean
- 35:33you need to turn it into a career, right?
- 35:36I could love knitting or I could love golfing.
- 35:39That doesn't mean I need to turn that into my career.
- 35:42It could just mean something that you love
- 35:43learning about and that you're passionate about.
- 35:44It doesn't need to become your career.
- 35:46So the minute he said that, I was like, dang.
- 35:49Okay, maybe I just love learning about natural medicine
- 35:51and I was like, maybe I don't want to become
- 35:53a naturopathic doctor.
- 35:54And all that doubt, I think he started seeing it.
- 35:57And he goes, let me ask you this.
- 36:00What is something you could wake up
- 36:02and do every single day?
- 36:04And I was like, music.
- 36:08And he goes, because I was already making music
- 36:10every day at the time.
- 36:11I'm with my homies, we're writing raps,
- 36:12we're downloading beats on YouTube,
- 36:14we're trying to figure out how to record
- 36:15and all this stuff.
- 36:16We're doing this every day.
- 36:18And I'm like, dang, he's right.
- 36:20So I'm like, yeah, I can do music every single day.
- 36:22He says, do that.
- 36:25That was the end of that phone call.
- 36:27I just had this pit in my stomach.
- 36:29I was like, dang.
- 36:30So I went back to my counselor
- 36:31and I said, yo, switch all my classes.
- 36:33He goes, what do you mean?
- 36:34And I had 23 credits at the time.
- 36:36I was like, bro, switch all my classes.
- 36:37He's like, but we picked out a school,
- 36:40we had this map played out.
- 36:41I was like, bro, we gotta pivot.
- 36:44I was like, bro, we gotta pivot.
- 36:45I was like, sign me up for every single music class.
- 36:48And he was just like, are you serious?
- 36:50And I was like, sign me up
- 36:51for every single music class.
- 36:53And I was like, bet.
- 36:56So the next day I literally walked to the music building
- 36:58and in the college I went to,
- 37:00it's like you got the science department,
- 37:02you got the automotive, you got all these buildings
- 37:04and then way off on the side is this music building
- 37:07because we make all this noise and it's loud
- 37:09so they put us off in the cut.
- 37:11I remember walking through this trail to get there
- 37:13and I'm like, man, this place is crazy.
- 37:15I'm like, what?
- 37:16I walk in the first doors
- 37:19and all I hear is music coming from every direction.
- 37:22I hear people singing.
- 37:23I hear pianos, I hear saxophones, I hear,
- 37:26and that just like, it just this warm feeling in my body.
- 37:29I was like, this is where I need to be.
- 37:31I was like, this is it.
- 37:32And I walked in and I took one piano class
- 37:35and I was sold.
- 37:37I was like, this is, I'm like,
- 37:38I literally that day I was like,
- 37:39I'm getting every music degree.
- 37:41I seen every music degree they offered
- 37:42and I was like, I'm getting all of them.
- 37:44My counselor is like, bet, let's do it.
- 37:46So I took like 23, 24 credits per quarter,
- 37:50vocal lessons, bass lessons, music production,
- 37:52I took any class that they offered.
- 37:55I took it, I was just like, I wanna learn it.
- 37:57And ended up about a year into that
- 38:00they noticed me at the studios
- 38:02because the studios were ran by these managers
- 38:04and the manager was like,
- 38:06hey, who's that kid that shows up at 7 a.m.
- 38:09every morning?
- 38:10He's like, he's here before I am.
- 38:12Like the boss showed up at eight.
- 38:14I was there before him
- 38:15and then he left at 5 p.m. or 6 p.m.
- 38:18and I was still there.
- 38:19He goes, yo, that dude is here every single day
- 38:22and they're open on the weekends.
- 38:23I'm there literally Monday
- 38:25all the way back again till next Monday.
- 38:28And I'm in there like learning how,
- 38:30like what is his microphone?
- 38:31I'm like learning how to make cable.
- 38:33I'm literally learning everything.
- 38:34And then the studio manager pulled me to the side.
- 38:36He goes, hey bro, you're here so much
- 38:39and I can clearly see you have like a deep hunger
- 38:42and a deep passion for all this stuff.
- 38:44He goes, I wanna open up the work study program for you.
- 38:46He's like, I closed it a couple of years ago
- 38:48but he's like, I just haven't seen a student this hungry.
- 38:51And he goes, I wanna hire you on as a work study.
- 38:55So from that day on,
- 38:57I was making I think $12 an hour being there.
- 39:01Cause he was like, bro, you're already here
- 39:03every single day for like more than 10 hours.
- 39:05He was like, you might as well get paid to be here.
- 39:08He blessed me with that job at 18.
- 39:10And then by the time I graduated,
- 39:12the work study had ended
- 39:13cause work study is only for students.
- 39:16So I graduated and he goes,
- 39:18hey bro, I wanna offer you a full time position here.
- 39:20And I was like, bet.
- 39:22So and then I ended up not taking the full time
- 39:24because I had so many other gigs
- 39:25but I ended up doing a part time there.
- 39:28And yeah, that was just a huge blessing
- 39:30working in those studios.
- 39:32And people would come to the studios and be like,
- 39:33hey, we need somebody for this project or whatever.
- 39:37I was the first person.
- 39:38They were like, you gotta get Tybo.
- 39:39So I did weddings, I did conferences.
- 39:41I did all of these things just working at that studio
- 39:43and made so many connections
- 39:45and built a reputation in Seattle for like the tech.
- 39:49So you go out to Seattle and they're like,
- 39:50oh, you need a honey?
- 39:51They'll probably be like, oh, get Tybo.
- 39:53I'm like, I don't even live there no more.
- 39:54So yeah.
- 39:56And that's amazing, amazing, amazing story.
- 39:58So even talking about hobbies outside of music,
- 40:02outside of studying natural medicine,
- 40:05what are some of your hobbies or passions?
- 40:07Bro, I got too many.
- 40:08I got too many.
- 40:08Like I literally, if you come to my house,
- 40:10I got a three bedroom house.
- 40:11Every single room is a studio
- 40:13and I'm always doing something.
- 40:15Like different types of studios.
- 40:17Yeah, so I got a virtual studio.
- 40:18I got like green screen where you can like click a button
- 40:20and do any backdrop and it looks like,
- 40:22most people when I'm on the green screen,
- 40:24they don't even know.
- 40:25Like they're like, bro, you got a new studio?
- 40:27I'm like, click another button, it changes.
- 40:29They're like, wait, what just happened?
- 40:32I do 3D printing.
- 40:33I do laser engraving.
- 40:35I make jewelry.
- 40:37You'll see me on my story.
- 40:38I got a bunch of gold and silver.
- 40:40I melted down.
- 40:41I'll play with diamonds and stuff.
- 40:42So I've made chains for myself.
- 40:44I've made Cuban bracelets.
- 40:47I've made a bunch of rings for the shorties
- 40:49that I'm dating and stuff.
- 40:51So yeah.
- 40:51So I love jewelry.
- 40:53I love anything arts and crafts,
- 40:54anything creative, honestly.
- 40:55Like I love cooking as well.
- 40:57I'll see a recipe on TikTok of that.
- 40:59I want to try to make that.
- 41:01So anything creative.
- 41:01I'm like a real big creative person.
- 41:04So yeah.
- 41:06Wow.
- 41:06I love that.
- 41:07Even got a chance to check out the green screen
- 41:10yesterday and that's just amazing where technology is.
- 41:14I know green screen has been around for a long time
- 41:17in the Hollywood movies and like you said,
- 41:19virtual setups.
- 41:21It's amazing.
- 41:23So for someone that wants to get into green screening
- 41:25where there's some equipment that they'll need.
- 41:27You need lighting, good lighting.
- 41:29I mean, if you give me some really good lights
- 41:31on the iPhone, I could make some green screen footage
- 41:33and really you don't need a lot of like back
- 41:36in the day you used to need like Adobe
- 41:38and you need all this software.
- 41:40And then honestly you got CapCut.
- 41:42CapCut got green screen removal.
- 41:44Blink, boom.
- 41:45Now you just put whatever you want.
- 41:47Now you got AI backgrounds.
- 41:48Like I used, even like a year ago I used to design.
- 41:52Like I used to have to go into the software
- 41:54and create each element and place a plant.
- 41:56Like I was in a 3D software creating these rooms.
- 41:59Now you got AI.
- 42:00You just prompt 60 seconds.
- 42:02It generates you whatever you want.
- 42:04And then you can revise it.
- 42:05You know, put my logo in the back or put this.
- 42:07I was like, there's no excuse
- 42:09of why you can't do no green screen content nowadays.
- 42:11It used to be the entry was like really, really high
- 42:15but now it's like you could do it from, you know,
- 42:17cell phones and bring lights off.
- 42:20Wow.
- 42:21So, so much to learn.
- 42:23And like you said, technology is advancing
- 42:25so it's like no excuse at all.
- 42:28No excuse at all.
- 42:30One popular way.
- 42:33So going back to them early days,
- 42:37starting a business, hustling, doing all of that,
- 42:41what did you see yourself in those moments?
- 42:43Like, did you see yourself in a position you are now
- 42:46or do you say someday I'ma make it?
- 42:49Someday I'ma make it.
- 42:50Someday it's gonna be this way.
- 42:52Like what was your mindset?
- 42:53I was one of those delusional people.
- 42:55Like at 12 years old, 13 years old,
- 42:57I'm telling all my friends like,
- 42:58hey bro, I'm about to get that Lambo.
- 43:00I'm about to get it.
- 43:01And everybody around me is like, yeah, right.
- 43:05Yeah, like bro, I literally come from homelessness,
- 43:08from the street.
- 43:08I used to hold up signs to get money, like all of it.
- 43:11And I'm delusional in my mind.
- 43:13I'm like, no, bro, I used to be like,
- 43:15yeah, no, I get that high rise crib.
- 43:17I'm about to get that car.
- 43:19And-
- 43:19So you had to visualize.
- 43:21Oh, absolutely.
- 43:22And then the thing is,
- 43:22if you read any of my horoscope stuff,
- 43:24I got this birthday book.
- 43:25Any birthday book or horoscope that I've ever read,
- 43:28it always says something about manifestation.
- 43:30So I literally have been able to manifest anything
- 43:34that I've ever thought of.
- 43:35And what's crazy is I used to manifest bad stuff.
- 43:38I used to be like, man, I hate that person.
- 43:40I wish something bad would happen.
- 43:41And then stuff would happen.
- 43:42I'd be like, ooh.
- 43:43I'm like, yo, I probably shouldn't think bad stuff.
- 43:46And that's why the power of the mind is so strong.
- 43:49So I only like to consume healthy stuff.
- 43:52Even my feed, I try not to consume anything negative
- 43:55or anything bad,
- 43:56because those things will plant seeds in my mind
- 43:58and those seeds can grow.
- 44:01So I've always been good with manifesting.
- 44:05Even what's crazy about podcast summit
- 44:07is I was getting all of these podcast summit ads
- 44:10before I even went to podcast summit.
- 44:12I remember the two years ago,
- 44:14it was like ad, ad, ad, all on my feed.
- 44:16And it used to piss me off because I used to be like,
- 44:19bro, I've shot over 400 episodes of the podcast.
- 44:21I know more about podcasts than any of those people.
- 44:24I'm like, and I was like, bro, I deserve to be there.
- 44:27Literally, that's what I'm saying.
- 44:29And I'd never been to a podcast summit.
- 44:30I'm seeing these ads.
- 44:32One day I get a call, and it's David Shands.
- 44:36I answer it.
- 44:37He's like, hey, bro, I need somebody at podcast summit.
- 44:40Are you available?
- 44:42Look at God right there.
- 44:43Look at God, wow.
- 44:45It's literally, I've seen the ads
- 44:46for like two or three weeks,
- 44:47and I'm like, I need to be there.
- 44:49I deserve to be there.
- 44:51Boom, I get a call from David Shands.
- 44:52He's asking me to be there.
- 44:54So it's like stuff like that,
- 44:57just simple manifestations of like,
- 44:59or even I DM'd people
- 45:01that I wanted to set up studios for a year ago.
- 45:05And now those people are hitting me up,
- 45:06bro, how much you cost?
- 45:07I'm like, bro, I'll pay you right away.
- 45:09So it's like, yeah, no, exactly.
- 45:12Like chasing all these people,
- 45:13and then now these people are chasing you.
- 45:15So it's like, yeah.
- 45:18Like you said, manifestation,
- 45:20even like you said, the thoughts and the seeds,
- 45:24like even the words,
- 45:25like even coming from a recording artist standpoint,
- 45:29my last track wasn't a song.
- 45:31It was an affirmation track,
- 45:32like an eight-minute affirmation track
- 45:34called Alien Affirmations, one, two, three,
- 45:38which is like my angel number.
- 45:40And then alien stems from my whole brand,
- 45:43my artists, Alien Eye Play,
- 45:44and then now Alien Eye's photo.
- 45:46So yeah, people are like, oh, what's your last song?
- 45:49It was actually an affirmation track.
- 45:51You know, shift in your mindset.
- 45:53My last song was fuck 2020.
- 45:56So 2020 was your last?
- 45:57Yeah, that was the pandemic.
- 46:00I had a lot of feelings.
- 46:01Yeah, exactly.
- 46:01I was like, yo, and I think I made it
- 46:03right at the end of the year.
- 46:04I was like, yeah, this year has been shitty.
- 46:06I was like, yeah, I'm just gonna make a diss track
- 46:08to 2020, and everybody back home was like,
- 46:10yeah, fuck 2020.
- 46:12What about your favorite song that you made?
- 46:16Favorite song that I made?
- 46:18I would probably say anything off my first album,
- 46:21because here's the thing, is when I first started,
- 46:22I was like, I put so much effort and time.
- 46:25I spent one year making my first album,
- 46:27and it was only eight songs.
- 46:29But each phase, I had to go through the beat selection,
- 46:33the writing, the mixing, the mastering.
- 46:38I described it as if you had to make 100 burgers, right?
- 46:42You wouldn't go in and just make one burger,
- 46:44wrap it up, make the next one, right?
- 46:46What you would do is you would prep.
- 46:48You would lay out all the buns.
- 46:49You put the patties on.
- 46:51You would lay all the tomatoes.
- 46:52Like, you would do it all in a batch, right?
- 46:54So you could do it more efficiently.
- 46:56So when I made my first album,
- 46:57I did it just like that.
- 46:58I selected all the beats.
- 47:01I selected all the song tracks.
- 47:02I went and wrote all the things.
- 47:04I went into the recording.
- 47:04So each one of those was a stage,
- 47:07and that took a whole year to make.
- 47:09And I feel like that process,
- 47:11it just made these tracks that I'm like,
- 47:14I'm really proud of.
- 47:15Anything after that, I stopped putting that effort in,
- 47:18because I realized that music is about consumption, right?
- 47:23If it took me one year
- 47:24to make all the eight of these tracks,
- 47:28and it only takes you 20 minutes to listen,
- 47:30I'm like, was it really worth it?
- 47:32And then that's when I started realizing,
- 47:34okay, let me get better at creating
- 47:36to where I can literally make a whole album in a month.
- 47:39And I was like, yo,
- 47:39I need to get better with the creativity
- 47:41where I can crank.
- 47:42It was more about, what is it?
- 47:46Not quality over quantity.
- 47:48I was trying to go,
- 47:49I started with quality over quantity,
- 47:51but then I switched.
- 47:52I was like, yo, let's do quantity.
- 47:53And so then I started cranking out tracks.
- 47:55And I feel like that is what got me that muscle,
- 47:59where it's like, now, if we sit down,
- 48:00you play one beat right now,
- 48:01I could write you a track in 20 minutes,
- 48:03record it, mix it.
- 48:04We can have a track done by four o'clock.
- 48:07Okay, I got to be out there.
- 48:08We gone?
- 48:09Exactly.
- 48:09And that's where I wanted to be.
- 48:11But before, my creativity process was like,
- 48:14oh, now I got to select a beat.
- 48:15I got to get inspired to write.
- 48:16I got to get...
- 48:17So I was like, no, I got to crank these out.
- 48:19So anything off my first album, to answer your question,
- 48:21my first track is called Tybo Intro.
- 48:24I just love that song, you know, play it anytime.
- 48:26And I just, it's a vibe, but yeah.
- 48:29Well, as you would say,
- 48:31explaining and explaining the process in different stages
- 48:33sounds like editing, like multi-cam editing,
- 48:37post-production.
- 48:38So is there like a workflow you have for editing?
- 48:42I've talked about the pre, the production and the post.
- 48:45I think that's trance.
- 48:47Yeah, the three P's or the five P's.
- 48:48I think that, I think I think about all production
- 48:53in that way.
- 48:53Like, even though I was talking about my album,
- 48:55I went into pre-production, then I went into production,
- 48:58then I went into post-production.
- 48:59So if you're asking mainly about
- 49:01the post-production process,
- 49:02I feel like that is when I'm transferring everything
- 49:05and making sure like, I always use references.
- 49:08Like, I feel like as an engineer,
- 49:11they taught me how to use references early on,
- 49:13and I transferred that into every other skill
- 49:15that I used.
- 49:15Break that down, references.
- 49:17Yeah, so when you're mixing a song,
- 49:20let's say you just recorded this track and you say,
- 49:22hey Tybo, I want you to mix and master this track.
- 49:25What I'm gonna ask you for is,
- 49:27hey, I want you to find a song that is similar to this
- 49:30that we can use as a reference
- 49:32so we know that the final product
- 49:34should look something like this, right?
- 49:37And it's the same thing if you're a photographer,
- 49:39I'd say.
- 49:39Wait, wait, wait, because you hit a key point.
- 49:43Something like this, not exactly,
- 49:45but something like this.
- 49:47Because I get that a lot.
- 49:48Like, oh, it's not, it's something like that.
- 49:50No, exactly, same with photography.
- 49:51Like, if I'm a photographer and I'm like, hey,
- 49:54or if I'm a model, I'm like,
- 49:55hey, I want to shoot with this photographer.
- 49:57I'm gonna give him reference photos.
- 49:58I'm gonna say, hey, I like these, these looks.
- 50:01I want to go for something like this.
- 50:03So I always use references for everything I do,
- 50:05whether it's lighting, video.
- 50:07Like, I'll look at a diary of a CEO.
- 50:10I'm like, oh, is this a reference?
- 50:11You want it like this?
- 50:12This is moody, this is dark, this is intimate.
- 50:13And they're like, no, I want more light,
- 50:15or I want more like, I want Joe Rogan,
- 50:17or I want this Call Me Daddy podcast, whatever.
- 50:20Like, I used them as a reference point, essentially,
- 50:22to get the client to where they want to go.
- 50:24Okay, okay, okay.
- 50:26Now, as we approach the end of this episode,
- 50:31I would like to hear your biggest lesson
- 50:33that you learned throughout your whole career.
- 50:36I would say, provide value, and the money will come.
- 50:40Like, that's really the biggest lesson
- 50:44everywhere I go, I'm trying to provide value.
- 50:46And that's before I even think about money.
- 50:48And I think that the people who provide the most value
- 50:51will never have a money problem.
- 50:53I love that, that is true.
- 50:55What about the biggest or the greatest insight,
- 50:58a business insight that you learned?
- 51:00You know what's crazy is I don't do this now,
- 51:03but somebody said that if you don't have
- 51:06monthly recurring revenue in your business,
- 51:07you don't have a real business.
- 51:11And I thought of that, and I was just like,
- 51:13man, that's a really good concept,
- 51:14because if you think about Netflix
- 51:16and all of these streaming platforms,
- 51:18they have your money every month coming in.
- 51:21So as entrepreneurs and creators,
- 51:23if we are starting from ground zero every month,
- 51:27where we have to go out and find new gigs,
- 51:29new clients, or whatever,
- 51:30it's like, do you really have a real business?
- 51:32And I was like, dang.
- 51:33So that's kind of something new that I'm thinking about
- 51:35is like, okay, how do I work in that monthly revenue?
- 51:41Where it's like, and you know,
- 51:42and especially for me,
- 51:44I know if I did a school community where I taught this stuff,
- 51:47it's like people easily would join my Patreon,
- 51:50my school community, whatever,
- 51:51and that's that monthly revenue
- 51:53where it's like people just every month
- 51:55are getting that value, but also paying, so.
- 51:59That is true.
- 52:00So we can see a school community or Patreon coming soon?
- 52:03Honestly, yeah, no, probably.
- 52:04I'm just so busy with this high ticket studio stuff.
- 52:08It's like the energy that it takes for that.
- 52:11I gotta kind of weigh out the options,
- 52:14but soon enough, you guys will probably see.
- 52:15Well, you know, you don't always have to be
- 52:17the face of it or run it.
- 52:19You can always hire someone or have someone organize it
- 52:22or have prerecorded videos and then.
- 52:25But you know, me being a passion,
- 52:27like I view everything like my baby.
- 52:29So I'm like, that's my child that I get.
- 52:30Even if you paid me like $99 a month
- 52:32or even $20 a month, right?
- 52:34You're gonna get the same treatment
- 52:35as my 5,000, $10,000 client,
- 52:37because I don't view the money as like,
- 52:40oh, you paid me more, I'm gonna give you more value.
- 52:42It's like, no, you're coming to me.
- 52:44You're gonna get the value no matter what.
- 52:46So that's why I prioritize more of the higher ticket stuff.
- 52:50I'm like, do I really wanna do the community?
- 52:51But eventually I will, like what you're saying.
- 52:54Okay, no, it's nothing wrong with it.
- 52:56A high ticket is definitely a good thing.
- 52:59My audience is creative entrepreneurs,
- 53:02mainly beginning creative entrepreneurs.
- 53:04What is one thing that you would leave them?
- 53:07I already said this, but don't give up,
- 53:08because here's the thing.
- 53:10We are so quick to beat ourselves up,
- 53:13but really let the world do that.
- 53:15You should be encouraging yourself.
- 53:17You should be uplifting yourself.
- 53:18So the minute I hear somebody talking down about themselves
- 53:21or beating themselves up, I'm like,
- 53:22yo, don't do that.
- 53:24The world will do that for you.
- 53:26You need to be the one uplifting.
- 53:27You need to be the encouragement.
- 53:28You need to be the vessel,
- 53:30because you are the most important thing
- 53:32at the end of the day.
- 53:33Nobody's gonna give you that motivation.
- 53:34Nobody's gonna wake you up
- 53:35and do the things that you have to do.
- 53:37So, you know, work in that internal,
- 53:40like, you know, let it shine from the inside out.
- 53:43I love it.
- 53:45And this was an amazing, amazing interview,
- 53:48but for someone that has a couple minutes,
- 53:52what is three to five takeaways you would like to share?
- 53:56Give me a topic, give me.
- 53:58This whole interview,
- 53:59even if it's something you didn't get to mention.
- 54:02Audio, I wanna go over audio real quick.
- 54:06Try to get your microphone as close as you can.
- 54:08Like, if you get this microphone right here,
- 54:10you guys are gonna hear the difference, right?
- 54:12It's gonna be bassy.
- 54:13It's gonna be, it's gonna sound like I'm on the radio
- 54:15versus if you just move it slightly back,
- 54:17like even this, the frequency response
- 54:20from one to two inches of movement,
- 54:22like, it's crazy.
- 54:24Like, you can hear it.
- 54:25Like, if I'm like, yo, hey guys, what's up?
- 54:27Versus, hey guys, what's up?
- 54:28So, try to get as close as you can to the microphone.
- 54:31That would be my one thing about audio.
- 54:33Two, I'm gonna go over lighting.
- 54:36One thing about lighting people don't realize
- 54:37is every time you double your distance,
- 54:41you lose 75% of the power.
- 54:43Now, let me, let me.
- 54:44Double your distance, you lose 75%.
- 54:46Now, I'm gonna break it down.
- 54:47These are gonna be some numbers.
- 54:48You might have to show some stuff on the screen,
- 54:49but check this out.
- 54:50Yes, yes.
- 54:51If I have this light in front of me
- 54:53and it's at 100%, right?
- 54:58If I have it four feet away and at 100%,
- 55:02if I move it back eight feet,
- 55:04you'd be like, oh, it went down to 50%.
- 55:06But really, it went down to 25%.
- 55:09So, a lot of people don't realize
- 55:11the closer you have the light,
- 55:13the more luminance you actually get.
- 55:16So, it's called the inverse law.
- 55:18It's the inverse law theory.
- 55:21It's like the, pretty much just saying
- 55:23every time you double a distance, you lose 75%.
- 55:26So, try to keep your lights as close as you can.
- 55:29Like, as close as you can,
- 55:30especially if you don't have a really bright light.
- 55:32You can notice the distance too.
- 55:34Like, you just move the light closer.
- 55:36You're like, whoa, how'd it get way more brighter?
- 55:38Like, it's just, it's a law of physics.
- 55:41So, that's for that.
- 55:42And then video,
- 55:44make sure you pay attention to the skin tones.
- 55:46Like, I see a lot of these videos,
- 55:48the skin tones would be crazy.
- 55:50It'd be all purple or green or just like the red
- 55:54or it's like, use a reference.
- 55:56We went over the reference photo.
- 55:58Yes.
- 55:58Make sure that those skin tones
- 56:00look like the reference photo.
- 56:01And if you don't have a good reference photo,
- 56:03use like news stations and broadcasts
- 56:05and like real television.
- 56:06Cause they're gonna give you like the accurate skin tone
- 56:09that are actual colors and you can look
- 56:11and be like, wait a minute, my skin looks real pale.
- 56:14Like, why it look like, my stuff look gray,
- 56:16look like alien-ish, like.
- 56:18Alien.
- 56:19Exactly, I forgot that in there.
- 56:21But yeah, no, so pay attention to your skin tones
- 56:23when it comes to video.
- 56:24And if you can't get like the right look,
- 56:27believe it or not, chat GBT knows how to make luts now.
- 56:29So you can actually drop in an image of like,
- 56:34let's say a Batman movie and you're like,
- 56:36hey, I want this look on this footage.
- 56:39It will literally make you a cube file.
- 56:40It'll make you a lookup table file.
- 56:42Like, and then you can take that lookup table
- 56:44and just drop it into Premiere or whatever pro.
- 56:46You can get that same exact look, so.
- 56:51Well, I know you mentioned something yesterday
- 56:53about like the background from the subject
- 56:57to like 10 feet minimum.
- 56:59The further the better.
- 57:00Or the bokeh.
- 57:01Like even if we just did a small example of this,
- 57:04like we would move this all the way.
- 57:06Like we would be up against the wall.
- 57:08Like I tell people, you're gonna feel uncomfortable
- 57:10the way I set it up.
- 57:10You're gonna be like up on the wall,
- 57:12but it's gonna look crazy.
- 57:14Like it's gonna look good
- 57:15like when you actually see the final product
- 57:17because you're so separated from the wall
- 57:18and it just looks blurry and looks good.
- 57:21Okay, so we gonna move these chairs up
- 57:23for the next, okay, okay, okay.
- 57:25But a lot of spaces can't, you can't do that.
- 57:28So you gotta leave room for the lights
- 57:29and now you gotta adjust everything, so yeah.
- 57:31Yeah, unfortunately.
- 57:33But what is one question that I didn't ask
- 57:36that I should have asked?
- 57:40Honestly, I feel like you had really good questions, bro.
- 57:42I can't even think of anything you didn't ask.
- 57:45Like you had some really good questions, brother.
- 57:47Or to flip it, what is one powerful question
- 57:49that you were asked throughout your whole lifetime?
- 57:54When did you know you were special?
- 57:58And I'd have to say is like when I was like homeless,
- 58:01like in the shelters and everything,
- 58:03like I remember all of the people,
- 58:05like even like the homeless bums
- 58:07and like you're around some characters in the streets,
- 58:10but even then they saw this light within me
- 58:12and I felt like, I was like, okay, I am special.
- 58:15Even though I'm like in these crazy predicaments
- 58:17and these crazy situations, I was like, I always knew.
- 58:24And then last question,
- 58:26what is legacy for you, Tybal Audio as a person
- 58:30and then as a business entrepreneur?
- 58:33People talk about like heaven and hell, right?
- 58:35And I think that the concept for me is like your legacy.
- 58:40When you think of a name like Bob Marley, right?
- 58:43You think great things, right?
- 58:46And I think that his legacy is living heavenly, right?
- 58:51Because people think great things of him.
- 58:53Versus you think of somebody like Adolf Hitler.
- 58:57That's like, you don't think of good stuff, right?
- 59:00So I think that his legacy is living in hell, right?
- 59:04I don't know if these places are actual places we go,
- 59:06but as far as your legacy,
- 59:08like I wanna be a heavenly legacy
- 59:11where my legacy lives in heaven.
- 59:13Like people praise and talk good about me.
- 59:15Like I don't want anybody to be like,
- 59:16yeah, you screwed me over, you scared me, whatever.
- 59:18Because that's how you get a negative legacy
- 59:20and your name lives in hell.
- 59:22So like that's kind of how I view legacy
- 59:25is like just what you're leaving behind
- 59:27and what people remember you for.
- 59:29Okay, okay, okay.
- 59:31And last and final question.
- 59:33Where can people find you, book you, all that good stuff?
- 59:37Yeah, y'all can find me at Tybo Audio on all platforms.
- 59:40T-Y-B-O-A-U-D-I-O.
- 59:44And if you guys wanna connect with me,
- 59:45you guys can just go to UpgradeMyStudio.com
- 59:47or just shoot me a DM, honestly.
- 59:49And we can talk in there and we can get you all set up.
- 59:52Yes, and make sure you don't hit that typo.
- 59:55It's typo, not like the cardio, Billy Banks.
- 59:58And thank you again, this is photographer Jackson Steve.
- 1:00:01Jackson of Alienize Photos Media
- 1:00:03bringing you another episode
- 1:00:05of Alienize Photos Industry Talk.
- 1:00:08You can follow me on social media at Alienize Photos
- 1:00:13and then AlienizePhotos.com if you wanna book,
- 1:00:16consult, all that good stuff.
- 1:00:19Thank you again, Tybo.
- 1:00:20My brother.
- 1:00:21Appreciate you.
- 1:00:22Thank you.